Antique Lamps have become very collectible over the past few years. Certain styles such as Art Deco and Victoriana have assisted this popularity along with certain makers such as Tiffany that will never go out of fashion.
Some of the most collectible lamps are oil and kerosene lamps. They can still look as beautiful and stylish today as they did 100 years ago when they were first manufactured. There is something romantic about these lamps when they are lit and show off their glow to perfection in even the most uninspiring rooms.
Be very careful when purchasing lamps with glass shades. This is the place where most of the damage is done. Slight burn marks are normal and should be accepted with any lamp with an age. Run your fingers around the rim of the shade very carefully and check for hairline cracks.
Be also very careful when purchasing supposed Antique Lamps due to the number of reproductions on the market. Where a certain area is very popular as it is with Antique Lamps then it is just a matter of time before the market is flooded with reproduction pieces.
This does not mean that reproduction antique lamps are a bad thing. If you do have an original piece which has a slightly damaged shade it would be easy to replace this with a reproduction if it was for your own use and not for resale.
The only problems come when the reproduction lamps are passed on as originals either by unsuspecting sellers or by unscrupulous dealers. Check the lamps like you would any other antique. Look for normal wear and tear on the shade. Brass fittings would be worn away due to frequent use along with the base. Owners would often polish the lamps so this would also show on a genuine antique lamp. If you suspect anything regarding the lamps true age then don’t buy it.
Created by: Mark Fynn
Lamp
Rabu, 05 Desember 2007
How to Make Victorian Lamp Shades
During the Victorian era lighting was primarily from gas. But with Edison’s improved design of the incandescent light bulb in 1879, electric lighting began replacing gas lighting in Victorian homes. This change became the catalyst for a variety of lamp shades made to shield the glaring light bulbs.
Elegant shades graced table and floor lamps as well as crystal chandeliers imported from Europe. And the electric light bulb enabled fine work to be sewn at night usually under a parlor bridge lamp. Today the tradition of hand-sewn lamp shades continues and here are tips and sewing techniques from the experts. When buying or recovering a lamp shade today, keep the design of the lamp base in mind. Curved shades compliment curved lamps and angular shades normally work best with angular lamps. Shade frames are available for lamp bases with harps, bridge lamps, floor lamps with glass bowls, chandeliers, headboards, night-lights and more.
Shade frames can usually be recovered or new ones purchased. An antique frame is stripped, covered with rust-retardant and recovered. Over the years, a large variety of styles were designed. Interesting, all the frames have names. Since flowers played such an important role in the Victorian decorating scheme, many have names such as Tulip and Daffodil.
The frame is then wrapped with cotton twill tape to enable the maker to sew the fabric onto the metal. Wrapping with the correct tension is an art that either results in a quality product or a shoddy piece.
The intricate patterns made by the joining of the metal wires create small “windows”. Each window (panel) is lined with satin, silk or other beautiful fabrics. While quality domestic fabrics are often used today, many individuals choose imported fabrics similar to those in fine Victorian homes.
One of the most popular special effects is the “rosette”. Here again the flower theme is repeated with sewing techniques that result in rose-like puffs. Usually they are combined with pleating or shirring that finishes the look. Another method is “fan pleating” – a pattern that is reminiscent of the fans used by Victorian ladies to cool themselves. Lace or burn-out velvet are often sewn on adjoining panels.
The shade is finished with braid, lace, ribbon and specialty trims. The finishing trim is applied either by sewing or with hi-tech bonding agents (not hot glue). Fabulous hand-dyed fringe or sparkling beads and matching tassels for pull chains complete the finishing touches.
A quality hand-sewn lamp shade given the proper care will last for many years.
Created by Candy Arnold
Elegant shades graced table and floor lamps as well as crystal chandeliers imported from Europe. And the electric light bulb enabled fine work to be sewn at night usually under a parlor bridge lamp. Today the tradition of hand-sewn lamp shades continues and here are tips and sewing techniques from the experts. When buying or recovering a lamp shade today, keep the design of the lamp base in mind. Curved shades compliment curved lamps and angular shades normally work best with angular lamps. Shade frames are available for lamp bases with harps, bridge lamps, floor lamps with glass bowls, chandeliers, headboards, night-lights and more.
Shade frames can usually be recovered or new ones purchased. An antique frame is stripped, covered with rust-retardant and recovered. Over the years, a large variety of styles were designed. Interesting, all the frames have names. Since flowers played such an important role in the Victorian decorating scheme, many have names such as Tulip and Daffodil.
The frame is then wrapped with cotton twill tape to enable the maker to sew the fabric onto the metal. Wrapping with the correct tension is an art that either results in a quality product or a shoddy piece.
The intricate patterns made by the joining of the metal wires create small “windows”. Each window (panel) is lined with satin, silk or other beautiful fabrics. While quality domestic fabrics are often used today, many individuals choose imported fabrics similar to those in fine Victorian homes.
One of the most popular special effects is the “rosette”. Here again the flower theme is repeated with sewing techniques that result in rose-like puffs. Usually they are combined with pleating or shirring that finishes the look. Another method is “fan pleating” – a pattern that is reminiscent of the fans used by Victorian ladies to cool themselves. Lace or burn-out velvet are often sewn on adjoining panels.
The shade is finished with braid, lace, ribbon and specialty trims. The finishing trim is applied either by sewing or with hi-tech bonding agents (not hot glue). Fabulous hand-dyed fringe or sparkling beads and matching tassels for pull chains complete the finishing touches.
A quality hand-sewn lamp shade given the proper care will last for many years.
Created by Candy Arnold
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